La Maison Fleuve - Island fertility & riverine settlement
Rémi Algis•Sara Bichão•Ulla von Brandenburg•Claude Dugit-Gros•Arthur Francietta•Fanny Giquel•Yann Gross•Giulia Grossmann•Marie-Claire Messouma-Manlanbien•Cécile Paris•Migline Paroumanou•
La Maison Fleuve - Island Fertility & River Roots is the inaugural exhibition at La Maison Fleuve, the new island-based art venue of the Cneai =, on L’Île-Saint-Denis. The program explores the concepts of water, insularity, and fertility through a transdisciplinary artistic approach.
It will bring together six artists supported by the ¡Viva Villa! grant, five guest artists, and a guest curator. The project centers on an exhibition, conversations about ongoing research leading to a publication, and specialized support provided to residents of the Casa de Velázquez, the Villa Albertine, the Villa Kujoyama, and the Villa Médicis.
The Cneai was founded on the Île-des-Impressionnistes in Chatou in 1993 and has since continuously traveled along the Seine, making stops in various regions, from Île-de-France to Normandy. Downstream, the Maison Flottante—a studio boat designed by the Bouroullec brothers and delivered in 2007—is now moored along the riverbank in Poses in the Eure department, on the Chemin du Halage across from Île-du-Trait. Upstream, the Maison Fleuve—the art center’s new home—is situated between two branches of the river in the heart of the new Place de la Batellerie on Île-Saint-Denis. From bank to bank, from path to pier, the Cneai sets sail and drops anchor once again to celebrate its thirtieth anniversary under the newly installed roof of its new home.
This place of art, openness, and sharing—a welcoming haven for the islanders—is taking root and enriching the neighborhood, its streets, gardens, and waters by drawing on spiritual connections and ancient rituals. Water is celebrated here as the binding force and source of life itself. According to Hildegard of Bingen, who lived on the Rhine in the 12th century, water cleanses, quenches, and nourishes the earth and all its inhabitants, from living beings to minerals.
The establishment of this space is conceived as an eminently fertilizing step. The Tahitian word for “island” is “fenua,” a term that also means “placenta” and thus refers to its intrinsic fertility.
Polynesian societies also have an edifying and inspiring tradition of canoeing. Setting out to conquer rivers, seas, and oceans represents—beyond the obvious feat of skill—a leap of faith toward new territories and a renewal of the principle of life.
With equal vigor, the Cneai inaugurates its new space—a third place that is inspiring and welcoming—amid shared joy. Moving between the body, the earth, and memory, the exhibition explores the many forms of island vitality. Artists and the general public are invited to reflect on fertility, insularity, the renewal of life, and settlement through action. Thus, a central space in the exhibition will host rituals, processions, and performances throughout this grand celebration.
EXHIBITION
PUBLICATION
CURATING
The art center’s team is collaborating with Stéphanie Melyon-Reinette on both the exhibition design and the dialogue between the works, as well as on the conversations among the artists, based on the themes explored.
Also known as Nèfta Poésie (poet and artist), Stéphanie Melyon-Reinette is a performer, dancer, choreographer, cultural activist, independent scholar, and, above all, a researcher.
As an activist and sociologist, Stéphanie Melyon-Reinette has authored several essays and contributed to numerous anthologies since 2009. Her interests include Black bodies in performance, Afro-diasporic/Black music and dance, gender and sexuality studies, masculinities, migration and identity, and Caribbean/Haitian cultures…